尾形光琳筆『風神雷神図屏風』の模写工程の考察 : 俵屋宗達筆『風神雷神図屏風』との比較からみる

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書誌事項

タイトル別名
  • The Creation Process of Korin Ogata's "Wind and Thunder Gods" Folding Screen : A Re-examination through Comparison with Sotatsu Tawaraya's "Wind and Thunder Gods" Folding Screen
  • オガタ コウリンヒツ フウジン ライジンズ ビョウブ ノ モシャコウテイ ノ コウサツ タワラヤ ソウタツヒツ フウジン ライジンズ ビョウブ ト ノ ヒカク カラ ミル

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抄録

There are three folding screens of the "Wind and Thunder Gods" created by three Rimpa school masters: Sotatsu Tawaraya, Korin Ogata (1658-1716) and Hoitsu Sakai (1761-1828). In the exhibition 'The National Treasure Screens of the Art of Rimpa' at the Idemitsu Museum in 2004, it was proven that the outlines of Sotatsu's and Korin's versions of the folding screen are almost the same. This gives an impression that Korin traced Sotatsu's work. However, by comparing both screens, I found out that Korin's work differs from Sotatsu's at several points. In this paper, I will present other possibilities of copying outlines other than by tracing, and I will examine how Korin created his work by comparing the details of both folding screens. Lastly, I will present a new way of looking at Korin's work, in that he did not merely trace Sotatsu's work. Instead, he may have used a preparatory drawing or a tracing outline prepared by another person, among other reasons to produce his own interpretation of the "Wind and Thunder Gods" folding screen.

収録刊行物

  • 美学

    美学 61 (1), 85-96, 2010

    美学会

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