Bibliographic Information
- Other Title
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- 〓康の『聲無哀樂論』 : その論理的展開を巡って
- 〓康の「声無哀楽論」--その論理的展開を巡って
- ケイコウ ノ セイ ム アイラクロン ソノ ロンリテキ テンカイ オ メグッテ
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Abstract
<<Sheng-wu-aile-lun>> is one of the most important musical writings in the history of Chinese music aesthetics. It overcame the difficulties of the Confucian view of music and established a new perspective, through an elaborated logical development. This is based on the six following theses : (i) <<mind and sound are two different things>> ; (ii) <<music has no constant correspondence with specific emotions>> ; (iii) <<music imitates nothing>> ; (iv) <<music has its own intrinsic harmonia (he)>> ; (v) <<the essence of music is to be found in a balance of emotions, or rather, the absence of emotional bias (pinghe)>> ; (vi) but at the level of its interaction with society, <<it is mind, as not bound to specific emotions, that is essential to music>>. Finally, the text prescribes the ideal way of music as a means to suggest the ideal state of mind for the purpose of cultivating life (yangsheng).
Journal
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- Aesthetics
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Aesthetics 41 (4), 11-21, 1991
The Japanese Society for Aesthetics
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Details 詳細情報について
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- CRID
- 1390282680807798784
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- NII Article ID
- 110003713976
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- NII Book ID
- AN0020658X
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- ISSN
- 24241164
- 05200962
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- NDL BIB ID
- 3398106
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- Text Lang
- ja
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- Data Source
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- JaLC
- NDL
- CiNii Articles
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- Abstract License Flag
- Disallowed