バシュラール詩学と時間論

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書誌事項

タイトル別名
  • Bachelard's Poetics and His Theory of Time
  • バシュラール シガク ト ジカンロン

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抄録

It has been said that Gaston Bachelard's theory of time leads him to a new reflection on poetry. However, the relationship between those two distinct theories has not yet been explained in detail. In this paper, I will aim to elucidate this relationship. In L'instuition de I'instant (1932) Bachelard, influenced by Bergson, mainly argued that poetry makes a chain of instants appear as if it were duree which is opposite to the conception of creativity. But under the influence of Roupnel, he also suggests that poetry gives us to experience what an instant is, and he teaches us that it consists in creativity. Thus in his theory of time, especially in terms of the experience of poetry, there seems to be an ambiguity. In 1939 he wrote his first book on poetics, La psych-analyse dufeu, and then L'eau et les reves (1943), in which he claimed a new concept of "material imagination", which is based on the Elements. He thought that the images of material imagination were constant and this constancy was nothing but duree. Further, he considered this constancy as a positive property, holding that it gave images creativity which was solely assigned to instances in his previous writings. Therefore, we find that poetics of Bachelard is surely based on the ambiguous reflections on poetry in the theory of time.

収録刊行物

  • 美学

    美学 58 (1), 1-14, 2007

    美学会

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