ファシスト政権期イタリア映画における「白」の視覚 : 「白い電話」と白い砂漠

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書誌事項

タイトル別名
  • "White" Vision of Italian Cinema under the Fascist Regime : "White Telephone" and White Desert
  • ファシスト セイケンキ イタリア エイガ ニ オケル シロ ノ シカク シロイ デンワ ト シロイ サバク

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抄録

From the beginning of the 1940s, Italian cinema critics have called the commercial films produced under the fascist regime "white telephones". This specific term indicates the white and brilliant visual texture many popular films shared in those days. This visual texture originated in the Hollywood cinema, which dominated the world market including Italian one. Italian cinema industries tried to assimilate a Hollywood-like production to overcome the long-lasting crisis from the 1920s. As a result, Italian screens were covered with white shining lights. This paper aims to reveal the significance of the "white" vision in the Italian cotemporary culture, focusing on the properties of cinema, namely the expressive medium of light and the most powerful economic system of the last century. From this point of view, we can discover another aspect of the first talky colonial film, Lo squadrone bianco, which is renowned for a fascist propaganda.

収録刊行物

  • 美学

    美学 56 (2), 41-54, 2005

    美学会

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