〈見えない〉ヒロイン今上帝女一の宮の可視化が物語るもの : 宝塚歌劇 源氏物語千年紀『夢の浮橋』をめぐって(テーマシンポジウム 映画・演劇・文学を横断する〈見えないこと〉の物語学,<特集>〈見えないこと〉の物語学)
書誌事項
- タイトル別名
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- What visualizing of Invisible Heroine, the First Princess of the Fourth Emperor and the First Princess Is Telling Us : Takarazuka Revue Company Moon Troupe Performance "The Floating Bride of Dreams"("Theses of the theme of symposium"-The Narrative studies of motion picture, drama and literature, across the board of invisibility,<Special issue>The Narrative Studies of the Invisibility)
抄録
What on earth do you think being invisible on stage is like? In this thesis, writer is going to discuss a theatrical work titled "Takarazuka Revue Company Moon Troup Performance "The Floating Bride of Dreams", from two view points such as issues incurred by putting a work of classic literature on stage and how the dramatized work was accepted and appreciated. Dramatization of the Tale of Genji has particularly been enjoying a longer history than so many other works of classic literature and is with variety of facets. "The Floating Bridge of Dreams" picked up here is a piece of work based on the Ten Uji chapters of the Tale of Genji and has Niou no Miya as the leading actress. Needless to say, this particular play was caught up under the restriction given by the "Takarazuka Revue". This thesis employed the first princess of the fourth Emperor who plays an important role both in the story and in the play, with a view to discuss significance of invisibility on the stage, in the light of characteristic features of the "Takarazuka Revue". Thus, the writer discussed the matter of putting the work of classic literature on the stage and proceeded to cover the issue of imaging, having been developed from dramatization.
収録刊行物
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- 物語研究
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物語研究 11 (0), 1-13, 2011
物語研究会
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詳細情報 詳細情報について
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- CRID
- 1390282681197391872
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- NII論文ID
- 110009687076
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- ISSN
- 24332909
- 13481622
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可