農業の変化を記録する現代絵農書と地域史資料としてのその役割

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書誌事項

タイトル別名
  • Drawing Archives to Record Changes of Agriculture and Its Role as Regional History Material
  • 農業の変化を記録する現代絵農書と地域史資料としてのその役割 : 静岡県御殿場市・杉山肇「我楽苦多(がらくた)資料館」を事例として
  • ノウギョウ ノ ヘンカ オ キロク スル ゲンダイエノウショ ト チイキシ シリョウ ト シテ ノ ソノ ヤクワリ : シズオカケン ゴテンバシ ・ スギヤマ ハジメ 「 ガ ラクク タ(ガラク タ)シリョウカン 」 オ ジレイ ト シテ
  • An Analysis of Private Museum by Hajime Sugiyama in Gotemba, Shizuoka Prefecture
  • 静岡県御殿場市・杉山肇「我楽苦多（がらくた） 資料館」を事例として

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抄録

Hajime Sugiyama is a farmer managing his family-run egg farm in Gotemba city, Shizuoka Prefecture. Since the late 1970s, he has been recorded more than 75 oil paintings of agriculture and rural life from prewar Showa to high economic growth period and displayed the collection of paintings with old farm tools in his private museum. “Drawing archives” are defined as the paintings depict modern agriculture and rural life made by ordinary people from rural areas based on their own experiences and memories. Drawing archives are made throughout Japan since high economic period. The collection of Hajime Sugiyama can be regarded as similar documents. This paper aims to clarify the reason why Sugiyama’s body of work was produced, the changes in agriculture drawn there, the view of agriculture and farming village of drawers, and to consider the role of his private museum in the preservation and succession of regional history. First, the features of the neighborhood and the character images of Hajime Sugiyama are organized. Next, the whole collections of his paintings stored in his museum are inventoried, and two works showing changes in poultry farming and two works depicting the life of Sugiyama are analyzed. Finally, we will consider the role of the museum that inherits the regional history as a collective memory of the neighborhood, with a case of the fieldtrip visiting the museum by elementary school social children education.

収録刊行物

  • 農業史研究

    農業史研究 52 (0), 81-91, 2018

    日本農業史学会

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