Effects of Live Concerts on the Audienceʼs Evaluation of Violin Performance

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  • SHODA Haruka
    Research Organization of Science and Technology, Ritsumeikan University
  • SAKATA Mamiko
    Faculty of Culture and Information Science, Doshisha University
  • WILLIAMON Aaron
    Centre of Performance Science, Royal College of Music

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Other Title
  • 生演奏による聴取がヴァイオリン演奏の評価に及ぼす影響
  • 生演奏による聴取がヴァイオリン演奏の評価に及ぼす影響 : 全体評定と連続評定
  • ナマ エンソウ ニ ヨル チョウシュ ガ ヴァイオリン エンソウ ノ ヒョウカ ニ オヨボス エイキョウ : ゼンタイ ヒョウテイ ト レンゾク ヒョウテイ
  • Overall and Continuous Ratings
  • 全体評定と連続評定

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Abstract

We investigated the effect of live performance where the audience shares time and place with a performer on the audienceʼs psychological evaluation of the performance. Each of 110 audience members evaluated the impression of either the live or recorded performance by means of continuous (during the performance) and overall rating methods (after the performance). Results showed that the audience evaluated the live performance as better and affectively richer than the recorded one, for both pieces with different impressions. By contrast, the audience avoided extreme evaluation for continuous ratings of valence and arousal in the live rather than the recorded condition. These results suggest that different mechanisms exist between overall and continuous evaluation of live music performance.

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