『1914年からの100年　宝塚の歴史文化 : モダニティー、少女文化、ジャパン・ポップ』 序文

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書誌事項

タイトル別名
  • Introduction for A History of Takarazuka Revue Since 1914 : Modernity, Girls' Culture, Japan Pop
  • 『 1914ネン カラ ノ 100ネン タカラズカ ノ レキシ ブンカ : モダニティー 、 ショウジョ ブンカ 、 ジャパン ・ ポップ 』 ジョブン

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説明

Founded in the hot-spring resort town of the same name in 1914, Takarazuka is a kaleidoscopic medium, both in terms of its theatricality and visual characteristics. Yet, despite its prominence and popularity, it has not received the academic attention it deserves, especially in the context of theatre studies. This book, therefore, by taking an interdisciplinary approach, endeavours to fill this gap through a detailed analysis of the Takarazuka Revue Company's history, educational traditions and theatrical ethos viewed from the prism of Japan's modernization and globalization in the twentieth century. Its important relationship to Japanese popular culture, especially in the fields of manga and fashion are also given due consideration. Furthermore, because of its unique features as an all-female performance art appealing mostly to female Japanese audiences, the study also includes an in-depth consideration of its continuing success, way of life and wider social impact from both cultural and social perspectives. A History of the Takarazuka Revue Since 1914 will have wide interdisciplinary appeal, as well as in the particular context of Japanese Studies. It is divided into five chapters: l. The Formative Years of Takarazuka; 2.The Mechanisms of Takarazuka; 3. The Stage Art of Takarazuka ‘Fantasy Adventure’; 4. The Taishō ‘Modern’; in the Female Domain of Shōjo Bunka; 5. Takarazuka in the Modern Heritage of Girls’ Culture and Beyond.

収録刊行物

  • 国際日本学

    国際日本学 11 99-108, 2014-03-31

    法政大学国際日本学研究所

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