書誌事項
- タイトル別名
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- シロン オダノ ナオタケ ノ オモイ トウ ビジンズ ニ オケル シャクヨウ ト ソウゾウ
- Feature Article : Expression of Nationalism : Personal Thoughts of Odano Naotake : Borrowing in, and the Creation of, “Tobijinzu”
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type:Article
Among Akita Ranga (Western-style paintings from Akita) are two works of “Tobijinzu” (Illustrations of Chinese Beauties) attributed to Odano Naotake. As Akita Ranga Western-style paintings, why do they borrow their subject matter from China? Also, although they borrow Chinese subject matter, why were such peculiar works as “Tobijinzu” created which do not feature in actual Bijinga (pictures of beauties) from China? What kind of thoughts did Naotake seek to commit to these pictures? Naotake, in order to express his own thoughts in contrast to Gennai, borrowed China’s Kan Fujin and Li Qing Zhao (Ri Seisho). He re-styled the borrowed material by using newly adopted Western painting techniques, and following his particular sensibilities. This gave birth to Kan Fujin and Ri Seisho illustrations: Bijinga of a type unknown in China, and unique to Akita Ranga. In other words, borrowing in, and creation of, Tobijinzu constituted a union between the Japanese spirit (Naotake’s thoughts and sensibilities), Chinese subject (material from Chinese painting) and Western art (rules of perspective and shadow).
収録刊行物
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- 国際日本学
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国際日本学 8 263-274, 2010-08-10
法政大学国際日本学研究所
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詳細情報 詳細情報について
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- CRID
- 1390290699807229568
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- NII論文ID
- 120006812776
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- NII書誌ID
- AA11914954
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- ISSN
- 18838596
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- NDL書誌ID
- 11006901
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- IRDB
- NDL
- CiNii Articles