<研究ノート> 日本美術商ティコティンと、海を渡った表具師・原順造 : 戦前オランダ・ハーグにおける活動記録

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タイトル別名
  • <Research Note> Japanese art dealer Felix Tikotin and Japanese mounter Junzo Hara : Records in pre-war The Hague
  • ニホン ビジュツショウ ティコティン ト 、 ウミ オ ワタッタ ヒョウグシ ・ ゲンジュンゾウ : センゼン オランダ ・ ハーグ ニ オケル カツドウ キロク

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説明

This article focuses on the late pre-war Netherlands period of Japanese art dealer Felix Tikotin (1893-1986), - about three years from October 1937 to October 1940, when he was in The Hague. It clarifies his activities and achievements at his home art gallery. At the same time, the purpose is to shed light on the role and activity of Japanese mounter Junzo Hara (1913-1968), whom Tikotin invited to The Hague, and to clarify Junzo’s achievements. As a result of surveying Dutch newspapers, it was found that the Tikotin Art Gallery in The Hague held 16 art exhibitions in total over about three years. In addition, from press records it was found that Junzo was energetically practicing flower arrangement and the tea ceremony at Japanese art exhibitions in various parts of the Netherlands. These gallery exhibitions conveyed a part of the Japanese view that art is rooted in people’s lifestyle as a part of daily life, not as a creation separated from everyday life. In addition, through Tikotin's original exhibition “Dutch and other Europeans in Japanese Art”, the appearance of Europeans drawn by Japanese artists gave a fresh surprise. As a result, it was possible to realize the intersection of both gazes, rather than the one-way Orientalising gaze from Europe. Junzo was also involved in activities to disseminate Japanese culture in the Netherlands before the war. Especially for Ikebana, a number of outstanding works were shown by Junzo, who knew the form and color scheme of Japanese art as a mounter. This gave a part of the Japanese view that Japanese people also have a culture of expressing and communicating their feelings with flowers, as the Dutch proverb says. The art gallery seemed to be on track with Tikotin and Junzo. However, the influence of “Kristallnacht”, which started to push Jews in Germany into a corner, extended to Tikotin in The Hague, and the conclusion of the German-Soviet Non-Aggression Treaty made the start of the war inevitable, so Junzo was forced to return to Japan. Finally, the Nazi administration hunted down Jews after their invasion of the Netherlands, and Tikotin’s gallery closed at the same time as his evacuation from The Hague. The energy and fulfillment of these three years masked their political turbulence.

収録刊行物

  • 国際日本学

    国際日本学 18 65-96, 2021-02-26

    法政大学国際日本学研究所

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