Pop elements in "Red Riding Hood" : their genesis, and a structural analysis of Karen Duve's Grrrimm

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  • 「赤ずきん」にみるポップの要素 : その生成とカーレン・ドーヴェの『Grrrimm』の構造分析
  • アカズキン ニミル ポップ ノ ヨウソ : ソノ セイセイ ト カーレン ドーヴェ ノ Grrrimm ノ コウゾウ ブンセキ
  • 赤ずきんにみるポップの要素 : その生成とカーレンドーヴェのGrrrimmの構造分析

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Abstract

This paper aims to analyze how the literary concept between "high" and "low" is constructed in the universally beloved fairy tale, "Red Riding Hood", in the context of Leslie Fiedler's manifesto of postmodernism. Popular literature has its origin in fairy tales transmitted orally among the Europeans since the 17th century, and later collected by the Brothers Grimm. With the technological decelopment of Johannes Gutenberg's printing press around 1450, fairy tale collections could be published so that the masses could read these books. This paper clarifies the literary characteristics of "pop" in Karen Duve's Grrrimm (2012). The folk tale "Red Riding Hood" is rewritten in Duve's Grrrimm as a literary fairy tale.

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