建築家アントニ・ガウディと美学者パウ・ミラの諸概念の関係について

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書誌事項

タイトル別名
  • COMPARISON ABOUT SEVERAL CONCEPTS BETWEEN ANTONI GAUDI AND PAU MILA
  • 建築家アントニ・ガウディと美学者パウ・ミラの諸概念の関係について : 建築家アントニ・ガウディの建築論的言説に関する研究(3)
  • ケンチクカ アントニ ・ ガウディ ト ビガクシャ パウ ・ ミラ ノ ショ ガイネン ノ カンケイ ニ ツイテ : ケンチクカ アントニ ・ ガウディ ノ ケンチクロンテキ ゲンセツ ニ カンスル ケンキュウ(3)
  • On discourse of Antoni Gaudí, (3)
  • 建築家アントニ・ガウディの建築論的言説に関する研究（3）

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説明

<p> How did architect Antoni Gaudi get the idea from anatomical study to make sculptures of Sagrada Familia church? We know that he studied so hard to find out the ideal form for each sculptures, however we don't know where his idea came from.</p><p> This paper discuss that A. Gaudi was influenced by an aesthetician Pau Mila y Fontanals. Pau Mila was a professor of aesthetic in Barcelona at that time. He is a brother of aesthetician Manuel Mila y Fotanals on whom the author did research in the previous paper. Pau Mila’s original drawing which was used for his classes are archived in La Reial Acadèmia Catalana de Belles Arts de Sant Jordi. These drawings emerge the philosophy of this aesthetician indicating that the anatomical study was essential to find the best form in nature beauty. On the other hand, he wrote one book about his aesthetic theory ”Estetica Infantil” which explains his ideas. Juan Matamala, the one of the disciple of A.Gaudi, wrote that it was the Gaudi’s favorite book. Thus it is reasonable to compare the ideas of the aesthetic of Pau Mila y Fontanals and the architectural theory of Antoni Gaudi in this paper.</p><p> In this paper, the author compares on the ideas of Art, Ornamentation, Creation, Poem, and Architecture.</p><p> On Art, A. Gaudi was influenced by a lot of artistic knowledge from Pau Mila y Fontanals. Especially in Italian Renaissance Art. And also the anatomical study for Sagrada Familia’s sculpture was based on the idea of the aesthetic method of Pau Mila y Fontanals. The Origen of the creation process for the sculptures for Sagrada Familia is as same as that of ideal the painting of Pau Mila y Fontanals. On the ornamentation, A. Gaudi said that the ornamentation by itself can be an architecture. Therefore the amount is not an important but the content is more important. Pau Mila y Fontanals wrote the same theory. On the creation, A. Gaudi said that the artists don’t create but discover. The principal of the aesthetic of Pau Mila included the same idea of A. Gaudi that tried to discover some ideas from nature.</p><p> On the Poem, the background of the words of A.Gaudi which express on the truth of beauty came from Pau Mila’s Philosophy. On the Architecture, There was a few influence form Pau Mia y Fontanals theory in the theory of A. Gaudi. The author defines the influence on Architecture from Manuel Mila y Fontanals was much stronger than that of Pau Mila y Fontanals. Therefore the author find that Manuel Mila y Fontanals had several influences on A. Gaudi’s aesthetic idea for architectural design.</p><p> Through previous three papers, these studies was started from the words of J. F. Rafols’ book saying that A. Gaudi was discipline of the brother Mila y Fontanals, and the author found that there were deep aesthetic influence and background in the theory of A. Gaudi’s architectural theory.</p>

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