Konoe Iehiro's view of art history

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Other Title
  • 近衞家凞の美術史観
  • 近衞家凞の美術史観 : 宝永度紫宸殿「賢聖障子」が置かれた史的文脈
  • コノエカキ ノ ビジュツ シカン : ホウエイド シシンデン 「 ケンセイショウジ 」 ガ オカレタ シテキ ブンミャク
  • The historical context 'Kenjo-no Shoji' in the Hoei era (1704-11) was placed in
  • 宝永度紫宸殿「賢聖障子」が置かれた史的文脈

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Description

<p>In recent years, the number of researches on the constructions of Imperial Palace performed eight times during the Edo Period has increased. They have revealed not only the tendency of the art world of those days but also the real state of Imperial Court and the Tokugawa shogunate, attracting attention in the fiel of art history. However, only a few know that Iehiro, the 21st head of the Konoe family played an important role in making 'Kenjo-no Shoji' decorating Shishin-den Hall at the reconstruction after the fir in 1708. The purpose of this article is to uncover Iehiro's view of art history through rereading "Kaiki" and to find out what historical context Iehiro tried to put 'Kenjo-no Shoji' in.</p>

Journal

  • KINSEI KYOTO

    KINSEI KYOTO 3 (0), 19-38, 2019

    Society for the Study of Early Modern Kyoto

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