書誌事項
- タイトル別名
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- A. G. Baumgarten and G. F. Meier on Proper Name and its Poetic Effect
- A ・ G ・ バウムガルテン ト G ・ F ・ マイアー ニ オケル コユウメイ ト ソノ シテキ コウカ
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説明
The birth of aesthetics as a philosophical discipline was the attempt to include beauty, art and sensibility, i. e. the individual in philosophy. Hence the problem of individual is essential for Wolffian aesthetics. As it is well known, Baumgarten asserts that proper names are highly poetic. However, it is not yet revealed how they would bring a poetic effect. In this paper, I provide an explanation by “emphasis” and “mathematic infinity” of notes in an individual, basing on Meier. I argue that “complete determinations” or enormous notes of an individual are represented as implications of a proper name, and that, no matter how numerous notes are not recognized, a proper name could bring beauty through the high potentiality of notes, which indicates inexhaustibility of the individual. This conclusion suggests that Meier takes the limitations of human recognition positive in aesthetics, and that’s why he found significance in the new discipline and endeavored to promote it.
収録刊行物
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- 美学
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美学 70 (1), 1-12, 2019
美学会
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詳細情報 詳細情報について
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- CRID
- 1390569457941875968
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- NII論文ID
- 130008036151
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- NII書誌ID
- AN0020658X
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- ISSN
- 24241164
- 05200962
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- NDL書誌ID
- 029864352
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
- KAKEN
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- 抄録ライセンスフラグ
- 使用不可