南畝の狂歌の評価軸

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タイトル別名
  • Ōta-Nampo’s Criteria for Evaluating <i>Kyōka</i> Poetry
  • ナンポ ノ キョウカ ノ ヒョウカジク

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Few attempts have been made to establish the criteria for evaluating kyōka poetry. This paper deduces the method of rating kyōka around the Tenmei Period from Ōta-Nampo’s new-found comments at a poetry contest which I introduced at this association’s conference about ten years ago. With the limited material at hand here I have to focus on the particular case of Nampo, but it is worth noting that, compared with Karagoromo-Kijju or Moto-no-Mokuami, he put more emphasis on expression than idea in rating poems. His criteria have much to do with his and his colleagues’ style of gesaku works once called “expression-oriented” by Yukihiko Nakamura. In the poetical scene of the late eighteenth century, expressive neo-classicism was being replaced with realism. In the broader historical context, then, his criteria can be regarded as a variant of the old standard. Such adherence to the old principle invited the confusion of evaluation standards, which might have to some degree accounted for the situation that kyōka poetry after the Tenmei Period was regarded to be deteriorated in quality.

収録刊行物

  • 近世文藝

    近世文藝 113 (0), 1-15, 2021

    日本近世文学会

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