Kyoshi Takahama in the “Age of Impression”: Discourses on <i>Haiku</i> Poetry around the Thirty-Fourth Year of the Meiji Period

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Other Title
  • 高浜虚子と「感じ」の時代
  • 高浜虚子と「感じ」の時代 : 明治三十四年前後の俳句言説試論
  • タカハマ キョシ ト 「 カンジ 」 ノ ジダイ : メイジ サンジュウヨネン ゼンゴ ノ ハイク ゲンセツ シロン
  • ――明治三十四年前後の俳句言説試論――

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Abstract

<p>Around the thirty-fourth year of the Meiji Period, as can be seen in the controversy over interpretations of “Sawagani-no-ku” and other polemic discourses, impressionistic criticism was dominant among the haiku circles. As a result haiku poets were measured and rated in such an extremely subjective fashion. This is why Kyoshi Takahama was severely criticized; his poems so often demanded elaborate interpretations that they “impressed” critics as esoteric.</p>

Journal

  • Japanese Literature

    Japanese Literature 65 (9), 11-21, 2016-09-10

    Japanese Literature Association

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