谷崎潤一郎文学の韓国における受容(II) : 谷崎の「刺青」「春琴抄」と金東仁の「狂畫師」の女人像をめぐって

DOI HANDLE オープンアクセス
  • 吉 美顯
    九州大学大学院比較社会文化研究科

書誌事項

タイトル別名
  • Reception of Tanizaki in Korea (II) : a comparison of the images of women in Tanizaki's "Shisei" and "Shunkinsho" and Dong In's "Kyogashi"

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抄録

In this paper I try to compare the images of women in Tanizaki's works "Shisei" and "Shunkinsho" and Dong In's "Kyogashi" and to clarify some influences of the Japanese writer on the Korean writer. In his early period, Dong In described his heroines just as women of the age really were. After he read Tanizaki's "Shunkinsho", however, his heroines began to assume absolute ethereal beauty. Tanizaki often chooses devilish women as his heroines in order to present an image of power in woman. Dong In, on the other hand, limits himself simply to beautiful women without any other particular characteristics. Beauty in woman is an object to admire and worship for Tanizaki, while it is only an object of art for Dong In.

収録刊行物

  • Comparatio

    Comparatio 4 1-12, 2000-03-30

    九州大学大学院比較社会文化研究科比較文化研究会

キーワード

詳細情報 詳細情報について

  • CRID
    1390572174790047360
  • NII論文ID
    110007159032
  • NII書誌ID
    AA11370798
  • DOI
    10.15017/15979
  • HANDLE
    2324/15979
  • 本文言語コード
    ja
  • データソース種別
    • JaLC
    • IRDB
    • CiNii Articles
  • 抄録ライセンスフラグ
    使用可

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