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- 宇佐美 文理
- 京都大學
書誌事項
- タイトル別名
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- A Preliminary Study of Form
- カタチ ニ ツイテ ノ ショウコウ
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抄録
In the painting theory in China, it was possible to describe the situation of Qi 氣 of the painter by the way of his drawing the picture, as Qi and Form 形 were considered as parts of a continuum. However, the form in the painting was also considered to be independent and separated from the body, the Spirit 神, and Qi. When we think about the relation between Qi and Form, it would be difficult to explain why Qi, originally thought to be non-form, could become a "Form" (a form which appears in the picture), primarily due to the gap between Form and Qi. The conception that Form is independent from Qi can be termed "box model". If we consider the relation between the two from a philosophical perspective, "box model" refers to the conception of separateness between the box (Form) and the contents (Qi), i.e., the box (Form) separates from the contents (Qi). On the other hand, an alternative model, termed "Non-box model", also called "thought of Qi", does also exist to highlight the conception of continuity, that is, Qi and Form were considered as parts of a continuum. Both models that have been well adopted in Chinese philosophy can be used to deal with the problem of thoughts and the relation between Form and Qi in the painting theory. This paper will examine these two models in relation to the meanings of Form.
収録刊行物
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- 中國文學報
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中國文學報 73 1-13, 2007-04
京都大學文學部中國語學中國文學硏究室內中國文學會
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詳細情報 詳細情報について
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- CRID
- 1390572174796549632
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- NII論文ID
- 120005312116
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- NII書誌ID
- AN0014550X
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- DOI
- 10.14989/177993
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- HANDLE
- 2433/177993
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- NDL書誌ID
- 8899522
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- ISSN
- 05780934
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- IRDB
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用可