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Abstract
Jean Renoir's 1951 film The River is a beautiful adaptation of Rumer Godden's short original novel. It is also a subtly orientalist vision of India which reaffirms Western imperialist attitudes. Renoir elaborated Godden's sparse prose into an epic documentary-style evocation of India and its people and customs. In so doing, he placed himself in a tradition of Western artists (particularly French) who used painting, photography and filmmaking to capture, interpret and exoticise the so-called 'Orient' for Western audiences.
Journal
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- 言語文化
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言語文化 10 (4), 575-596, 2008-03-10
Doshisha Society for the Study of Language and Culture
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Details 詳細情報について
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- CRID
- 1390572174866494592
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- NII Article ID
- 110006612473
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- NII Book ID
- AA1127628X
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- NDL BIB ID
- 9647261
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- ISSN
- 13441418
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- Text Lang
- en
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- Data Source
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- JaLC
- IRDB
- NDL
- CiNii Articles
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- Abstract License Flag
- Allowed