書誌事項
- タイトル別名
-
- Echo Metamorphosed : Narcissus and Twelfth Night
- エコー ノ ヘンシン : 『 ナルキッソス 』 ト 『 ジュウニヤ 』 ニ オケル
この論文をさがす
説明
This paper is intended as an investigation regarding the metamorphoses of Echo in early modern English plays: Narcissus: A Twelfe Night Merriment (Narcissus, 1603) and Shakespeare’s Twelfth Night, or What You Will (TN, 1600–01). Narcissus, which was enacted as an imitation of “Yule-tide mummeries” (Lee xiii) at St. John’s College, Oxford, on Twelfth Night, 1603, provides a paradigm in which Eccho, differing from Ovid’s Echo in Metamorphoses (AD 1–8), functions as an agent who “enables characters to respond, to see that love requires echoing instead of narcissism” (Bate 149). While Viola as Echo in TN also impresses upon characters the importance of responsive love, she acts as “bias” (5.1.256) which deflects characters’ passions in unanticipated directions. The blazon as a rhetorical device, which anatomizes the “sweet beauties best” of “ladies dead, and lovely knights” (Sonnet 106, 4–5), arouses a homoerotic and homosocial desire in Narcissus; In TN, Olivia’s anatomy of Viola by virtue of “fivefold blazon” (1.5.285) also reflects a homoerotic desire, however, her anatomy of “sweet beauties best” is deeply associated with the anxiety of fragmentation permeated in this festive comedy.
収録刊行物
-
- 名古屋大学人文学研究論集
-
名古屋大学人文学研究論集 4 89-104, 2021-03-31
名古屋大学人文学研究科
- Tweet
キーワード
- エコー
- 変身
- 『ナルキッソス--十二夜の余興』
- シェイクスピア
- 『十二夜、またの名、お好きなように』
- 自己愛
- ベン・ジョンソン
- 『月の女神の饗宴、またの名、自己愛の泉』
- ブレイゾン
- ホモエロティシズム
- 分裂の不安
- Echo
- metamorphoses
- Narcissus: A Twelfe Night Merriment
- Shakespeare
- Twelfth Night, or What You Will
- self-love
- Ben Jonson
- Cynthia’s Revels, or The Fountain of Self-Love
- blazon
- homoeroticism
- anxiety of fragmentation
詳細情報 詳細情報について
-
- CRID
- 1390572175571604608
-
- NII論文ID
- 120007127354
-
- NII書誌ID
- AA12814467
-
- HANDLE
- 2237/0002000142
-
- NDL書誌ID
- 031456659
-
- ISSN
- 2433233X
-
- 本文言語コード
- ja
-
- データソース種別
-
- JaLC
- IRDB
- NDL
- CiNii Articles
- KAKEN
-
- 抄録ライセンスフラグ
- 使用可