書誌事項
- タイトル別名
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- The Origins of the Red Sun Motif : National Idols in Chinese and Japanese Paintings
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This article seeks the origin of the red sun (hong taiyang in Chinese), a motif that Chinese painter Fu Baoshi used in his works during the 1950s and 1960s. A similar motif can be found in some works made by Japanese painters during the 1920s and 1930s, though there is no definitive evidence that Fu learned directly from them. Rather, I argue that Fu and his Japanese counterparts drew from an East Asian tradition for depicting national idols that was exemplified in Tianbao jiuru, a theme which had been shared between China and Japan for a long time.
収録刊行物
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- 世界の日本研究
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世界の日本研究 2022 102-112, 2023-03-15
国際日本文化研究センター
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詳細情報 詳細情報について
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- CRID
- 1390576977443204480
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- NII書誌ID
- AN10354969
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- ISSN
- 24361771
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- 本文言語コード
- en
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- データソース種別
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- JaLC
- IRDB
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- 抄録ライセンスフラグ
- 使用可