Typographic Expressions in Artists’ Books
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- NAGASHIMA Satoko
- Graduate School of Nagaoka Institute of Design College of Arts and Design of Daegu University
Bibliographic Information
- Other Title
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- アーティスト・ブックにおけるタイポグラフィック表現
- —An Approach to the Usage of Linguistic Symbols in Conceptual Art from the 1960s to the 1980s.
- ―1960年代から80年代の言語記号によるコンセプチュアル・アートに着目して
Abstract
<p>The 1960s was a period in which Conceptual art developed rapidly and numerous artworks based on letters and typographic symbols started appearing in European, North American and East Asian countries. Some artists, who have made an extensive use of words in their artworks, have developed their means of expression in the form of books called artists’ books. However, along the history of typography, which developed from letterpress printing and lithographic printing technology, the work of Conceptual artists have not usually received much attention. This tendency to ignore the very raison d'être of these artworks due to the so-called “reproduction technology" has influenced the divergence between Conceptual art and typography. In this article, I have first dealt with the definitions of terms Conceptual art and typography. Subsequently, I have analyzed the printed expressions in artists’ books created in the 60's and 70's from a typographic perspective and I have focused on the significance of artists’ books and book arts.</p>
Journal
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- Bulletin of Japanese Society for the Science of Design
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Bulletin of Japanese Society for the Science of Design 70 (4), 4_29-4_34, 2024-03-31
Japanese Society for the Science of Design
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Keywords
Details 詳細情報について
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- CRID
- 1390580992759629056
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- ISSN
- 21865221
- 09108173
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- Text Lang
- ja
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- Data Source
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- JaLC
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- Abstract License Flag
- Disallowed