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- Sota Yuji
- Shokei University Junior College
Bibliographic Information
- Other Title
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- ヘンリー・ソローにおける天地の音楽
- ヘンリー・ソローにおける天地の音楽 : スフィアとセレスティアルの観念をめぐって
- ヘンリー ・ ソロー ニ オケル テンチ ノ オンガク : スフィア ト セレスティアル ノ カンネン オ メグッテ
- スフィアとセレスティアルの観念をめぐって
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Description
Henry Thoreau was one of the American transcendentalist thinkers of the nineteenth century. He is known for being a naturalist who closely observed facts in nature and described them as they were. On the other hand, he also used the idealistic notions of “sphere music” and “celestial music,” both of which conjure up heaven and the stars, in his writings. He depicted various environmental sounds produced on the earth as sphere music mainly in the early phase of his career, and then later in his career divine sounds from heaven that were evocative of the creation of life as celestial music. While he maintained his orientation toward an idealistic way of thinking, he strengthened his inclination to closely observe facts along with his preference for the notion of celestial music.
Journal
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- BULLETIN
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BULLETIN 51 (0), 31-43, 2019
Shokei University・Shokei University Junior College
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Keywords
Details 詳細情報について
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- CRID
- 1390845702277674752
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- NII Article ID
- 130007704283
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- NII Book ID
- AA12614275
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- ISSN
- 24239313
- 21875235
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- NDL BIB ID
- 029699771
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- Text Lang
- ja
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- Data Source
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- JaLC
- NDL Search
- CiNii Articles
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- Abstract License Flag
- Disallowed