映画というエクリチュール

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書誌事項

タイトル別名
  • "Ecriture" in the Form of Film:
  • 映画というエクリチュール--マルグリット・デュラスの映画「インディア・ソング」の分析から
  • エイガ ト イウ エクリチュール マルグリット デュラス ノ エイガ インディ
  • From an Analysis of <i>India Song</i>, a Film by Marguerite Duras
  • マルグリット ・デュラスの映画『インディア ・ ソング』の分析から

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抄録

<p>  Marguerite Duras, one of the greatest French writers, has been playing an active part not only in the literary world, but also in the film world.</p><p>  She has established a new possibility of description by using a special feature of film. This feature unique to film is the coexistence of several elements - image, sound, and word.</p><p>  In the film works Duras has directed, she has succeeded in expressing the "histoire" by using these physical elements instrumentally. Undoubtedly, India Song exemplifies this kind of expressive work.</p><p>  The most distinctive aspect of India Song lies in the method of manipulation between image, sound and voice. Usually, sound is used as a subordinate means to explain the image in ordinary films. In India Song, however, every element functions independently.</p><p>  As the audience makes contact with this work, each different element and different bit of information form a new sense of meaning. The complication of this sense is peculiar to the 20th century - an era where visual media has made rapid progress, giving rise to the culture of images.</p><p>  India Song not only marks a significant peak in Duras' œuvre but is also equally important in terms of 20th century literature and film.</p>

収録刊行物

  • 映像学

    映像学 51 (0), 72-87,120-21, 1993-11-25

    日本映像学会

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