Floating Across a Shifting Border : Transnational Subjects in Yi Yi : A One and a Two and Café Lumière
Bibliographic Information
- Other Title
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- Floating Across a Shifting Border : Transnational Subjects in Yi Yi : A One and a Two and Cafe Lumiere
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Abstract
Taking Edward Yang's Yi Yi: A One and a Two (2000) and Hou Hsiao-Hsien's Café Lumière (2003) as examples, this article addresses the rise of new wave in the age of globalization. In parallel with the Hollywood-led transformation of the film industry on a global scale, Taiwan new wave appeared in the early 1980s as an alternative and post-national cinematic movement, making a break with the old and government-oriented filmmaking. Through a close reading of the reflexive subjects and their cross-cultural flows between landscapes in the films, this article investigates the ways how new wave filmmakers, both at the diegetic and extra-diegetic levels, reflect on the transformation of Taiwan's geopolitical landscape and fluid subjectivity under globalization.
Journal
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- 言語文化論究
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言語文化論究 37 103-115, 2016-10-14
Faculty of Languages and Cultures, Kyushu University
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Details 詳細情報について
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- CRID
- 1390853649694853120
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- NII Article ID
- 120005859682
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- NII Book ID
- AN10175926
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- DOI
- 10.15017/1785511
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- HANDLE
- 2324/1785511
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- NDL BIB ID
- 027707856
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- ISSN
- 13410032
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- Text Lang
- en
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- Data Source
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- JaLC
- IRDB
- NDL
- CiNii Articles
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- Abstract License Flag
- Allowed