研究発表　石山寺蔵、スペンサー・コレクション蔵、バーク財団蔵「源氏物語絵巻」断簡をめぐって　―幻の「源氏物語絵巻」、成立背景とそのゆくえ―

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Recently, the lost Genji Monogatari Emaki which was planned and produced in the middle of the 17th century, attracts attention. As the part, the followings are already reprinted; ‘First volume of Suetsumuhana Chapter’ (Genji Monogatari Emaki from Ishiyama Dera Temple), ‘2nd and 3rd volume of Suetsumuhana Chapter’ (from the Spencer Collection). About ‘Hahakigi Chapter’, TSUJI Eiko’s Nihon Emakimono sho (A Selection of Japanese Picture Scrolls) (published by Kasama-shoin, 2002) and Study and Data of Japanese Picture Scrolls Abroad (published by Kasama-shoin, 1999) have been reprinted. In addition to them, in the book Genji Monogatari and Edo Period (edited by KOJIMA Naoko, KOMINE Kazuaki, and WATANABE Kenji, published by Shinwasha, 2008), two fragments of ‘Sakaki Chapter’ from the Burke Collection in New York and two fragments of the same origin owned by a Belgian, were newly introduced in detail. Furthermore, six volumes from ‘Aoi Chapter’ deposited with the Kyoto National Museum and three volumes from ‘Kiritsubo Chapter’ deposited with Tokugawa Museum are exhibited successively in the fiscal year 2008. According to those which the book Genji Monogatari and Edo Period reconstructs from the remains, the lost Genji Monogatari Emaki may have been large-scale product exceeding at least 40 volumes as a whole. As a background of such large-scale production, I would like to point out the relation between Kyo-Kano family and Kuge whose main members were the ex-Emperor Gomizunoo 〔Gominoo〕and his courtier Kujo clan. Since I was engaged in the project which introduced the fragments of ‘Sakaki Chapter’ from the Burke Collection, I would like to consider the background of the lost Genji Monogatari Emaki. Being led by TSUJI’s book, I reexamine the lineage of prose of ‘the first volume of Suetsumuhana Chapter’ (from Ishiyama Dera Temple) ‘the 2nd and 3rd volume of Suetsumuhana Chapter’ (from the Spencer Collection) and ‘Hahakigi Chapter’. In addition, mentioning the problem of the writer of the prose of fragments from ‘Sakaki Chapter’ (owned by the Burke Collection and a Belgian), I want to consider the participation of the classic studies in Kujo clan.