書誌事項
- タイトル別名
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- The Influence of Musical Form as a Musical Context on the Probability Relationship : Based on Leonard B. Meyer's Discussions
- オンガクテキ ブンミャク ト シテ ノ ケイシキ ガ カクリツテキ カンケイ ニ オヨボス エイキョウ : レナード ・ マイヤー ノ ギロン オ シュッパツテン ニ
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抄録
This paper proposes a framework that describes how musical form influences the probability relationship (PR), which was proposed in L. B. Meyer's Emotion and Meaning in Music (1956). First, his discussions about the style in Style and Music: Theory. History, and Ideology (1989) needs to be reconstructed based on the PR, because one can regard musical form as a kind of style. Second, along with the intraopus style and structure which Meyer suggested, a new pair, the extraopus style and structure, is indispensable to reexamine the musical form as ideal type, which is understood by the ideal auditor and in which the PR is considered static. Thus, it would be proved that the PR should also be divided into the dynamic and static one. Finally, this paper attempts to put the above arguments into practice, by describing the transition of the PR in the sonata form as an example.
収録刊行物
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- 芸術工学研究
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芸術工学研究 17 37-52, 2012-11-28
九州大学大学院芸術工学研究院
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詳細情報 詳細情報について
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- CRID
- 1390853649768216320
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- NII論文ID
- 40019527079
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- NII書誌ID
- AA11392848
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- ISSN
- 13490915
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- DOI
- 10.15017/25718
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- HANDLE
- 2324/25718
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- NDL書誌ID
- 024157430
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- IRDB
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用可