張懷瓘「書斷」の書體論

DOI HANDLE Web Site オープンアクセス

書誌事項

タイトル別名
  • The Idea of Calligraphic Scripts in Zhang Huai-guan's Shu-duan
  • 張懷[カン]『書斷』の書體論
  • チョウ カイカン ショタン ノ ショテイロン
  • 張懐瓘「書断」の書体論

この論文をさがす

抄録

Zhang Huai-guan 張懷瓘 is a major calligraphic critic of the Tang 唐 era, and Shu-duan 書斷 is his most important work. In this work, he divides a large number of past calligraphers into three grades. Although this method is derived from Yu Jian-wu 庾肩吾's Shu-pin 書品 and Li Si-zhen 李嗣眞's Shu-hou-pin 書後品, he adds a new factor in order to facilitate a more accurate evaluation, namely to place each calligrapher into multiple grades according to scripts. In order to define this new factor, he describes the histories and characteristics of ten scripts. This paper aims at investigating how these ten scripts were chosen and arranged by Zhang Huai-guan, and how his unique idea of scripts improved his criticism. These ten scripts can be classified roughly into two groups. One can be named zhuan 篆 group, which includes gu-wen 古文, da-zhuan 大篆, zhou-wen 籒文, xiao-zhuan 小篆, ba-fen 八分 and fei-bai 飛白. The other can be named cao-li 草隸 group, which includes li-shu 隸書, zhang-cao 章草, xing-shu 行書 and cao-shu 草書. This paper attempts to investigate pairs of categories, such as archaic simplicity and modern refinement, as well as static and dynamic, which help us to grasp Zhang Huai-guan's idea about the history of each group. Zhuan group passes from static to dynamic as it changes from archaic simplicity to modern refinement. In contrast to the zhuan group, the cao-li group starts with archaic simplicity which is dynamic, and gradually gains other various merits before being perfected by Wang Xi-zhi 王羲之. Generally speaking, Zhang Huai-guan's idea functions well when analyzing the zhuan group, while it cannot explain all the merits of the cao-li group, which merits differ from calligrapher to calligrapher. That is because he tried to explain the views regarding cao-li calligraphers accumulated before him in light of contemporary concept of scripts. This is the limitation of his idea. This paper is of some value, for there have been few readers who have regarded the idea of scripts found in Shu-duan as a means of evaluating calligraphers, and have tried to reveal its total structure and intention.

収録刊行物

  • 中國文學報

    中國文學報 72 54-86, 2006-10

    京都大學文學部中國語學中國文學硏究室內中國文學會

キーワード

詳細情報 詳細情報について

問題の指摘

ページトップへ