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- 中村 滋延
- 九州大学大学院芸術工学研究院音響部門
書誌事項
- タイトル別名
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- Suite sur B-A-C-H no.2 for Piano
- ピアノ ノ タメ ノ バッハ ニ ヨル クミキョク ダイ2バン
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抄録
Suite sur B-A-C-H No.2 for Piano was composed as one of Suite sur B-A-C-H for Piano series in the period of early November 2004 through mid-December 2004. This series consists of three works: Suite No.1, Suite No.2, and Suite No.3. Although these works are common in that each uses B-A-C-H (Bb -A-C-B), a German letter name, as a part of the main motif or a phrase, the musical style of each work great! y differs. Suite No. 1 is composed in the style of tonal music. Its music form is not much different from French Suite for Keyboard or classical suites such as Partita by Johann Sebastian Bach (1685-1750). Suite No. 2 is composed in the style of twelve-tone technique, devised by Arnold Schonberg (1874-1951). Suite No.3 is not composed in a particular style. Although it has some influence of Collage sur B-A-C-H composed by Arvo Part (1935-), this suite is basically composed in a style and a form not limited by any already-established style or form. This Suite sur B-A-C-H for Piano series is "hommage" to the music by Johann Sebastian Bach. To express this, the letter name, B-A-C-H, is used in each title name. In Suite No.2, the first note of each three-note group in a twelve-note-row is B-A-C-H. Due to limitations of space, only the musical score of Suite No.2 is given here including all five movements except the fourth.
収録刊行物
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- 芸術工学研究
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芸術工学研究 3 57-73, 2005-03-02
九州大学大学院芸術工学研究院
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詳細情報 詳細情報について
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- CRID
- 1390853649781111680
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- NII論文ID
- 120006846196
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- NII書誌ID
- AA11392848
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- DOI
- 10.15017/2794904
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- HANDLE
- 2324/2794904
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- NDL書誌ID
- 7802997
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- ISSN
- 13490915
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- IRDB
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用可