虚実の狭間に

DOI

書誌事項

タイトル別名
  • Between Fiction and Nonfiction:
  • Haruo Satō's <i>Okinu and Her Brothers</i> and Feng Menglong's <i>The Oil-Peddler Wins the Queen of Flowers</i>
  • ――佐藤春夫「お絹とその兄弟」と馮夢竜「売油郎独占花魁」――

抄録

<p>Haruo Satō's short novel, Okinu and Her Brothers, was initially published in Chūō Kōron's November issue (1918). Haruo Satō claimed that Okinu and Her Brothers was based entirely on fact; however, when compared to the brief biography of Kaneko Kinu, on whom Okin is modeled, the novel showed some contradictions to the biography, which implies the novel might not be purely nonfictional. And also, Satō's plot, characterization, and writing style in Okinu and Her Brothers were strikingly similar to a traditional Chinese story, The Oil-Peddler Wins the Queen of Flowers. Satō was famously known to be an enthusiast of traditional Chinese literature, so it is possible that he noticed the commonalities between Kaneko Kinu's experiences and the Chinese story, and combined them in Okinu and Her Brothers. Under the cover of its realistic folktale style, Okinu and Her Brothers is still based on Haruo Satō's art for art's sake thinking. Like Melancholy in the Country and The House of a Spanish Dog, Okinu and Her Brothers is also distinctly influenced by foreign literature. From this point of view, we can say that this novel is in fact a very typical creation among Haruo Satō's early works.</p>

収録刊行物

  • 比較文学

    比較文学 64 (0), 23-36, 2022-03-31

    日本比較文学会

詳細情報 詳細情報について

  • CRID
    1390858608253076224
  • DOI
    10.20613/hikaku.64.0_23
  • ISSN
    21896844
    04408039
  • 本文言語コード
    ja
  • データソース種別
    • JaLC
  • 抄録ライセンスフラグ
    使用不可

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