Considerations on Musical Time Patterns in Fujii Kiyomi’s Folk Song Arrangements : Gujou no hachiman

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  • 藤井清水の民謡編曲作品における拍子についての考察 : 郡上の八幡
  • フジイ シミズ ノ ミンヨウ ヘンキョク サクヒン ニ オケル ヒョウシ ニ ツイテ ノ コウサツ : グン ジョウ ノ ハチマン

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Abstract

Kiyomi FUJII transcribed 2213 Japanese folk tunes and wrote 141 folk tune arrangement in his life. Usually, Japanese folk tunes are transcribed in the time of 2/4 to prevent being too complicated for their irregularity. But in FUJII’s manuscript notebook, there are many songs which have some measures in 3/4, though the rest of the song employed a 2/4 time. Most of these songs were arranged as he transcribed, maintaining the 3/4 measures, however, he arranged the “Gujou no hachiman,” which is one of his folk tune arrangements, completely in 2/4 without adding any 3/4 measures. In this article, I examined his intention how he adjusted the musical time patterns.

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