常磐津「男江口 女西行　花吹雪富士菅笠」考

DOI

書誌事項

タイトル別名
  • Study on Tokiwazu “Otoko-Eguchi-Onna-Saigyō-hanafubuki-Fuji-no-sugegasa”:
  • Centering on Fujitarō and tales of the pleasure quarters
  • ―富士太郎と廓咄を中心に―

抄録

Tokiwazu “Otoko-Eguchi-Onna-Saigyō-hanafubuki-Fuji-no-sugegasa”, which was first performed as the first number in Koizome-Sumidagawa at the Edo Ichimura-za in the third month of Hōreki 8 (1758), is a dance drama incorporating content from the Noh Eguchi into the world of Fuji-Asama-mono, with tales from the pleasure quarters as highlight. This piece is epochal in that it uses a youth called Fujitarō as the vengeful protagonist who did not appear in preceding Fuji-Asama-mono. After its first performance, the piece was reperformed many times, was adopted by many “kibyōshi” and “gōkan”, and Fujitarō even became named as the main role of Fuji-Asama-mono in Sekai Kōmoku; so great can we consider its influence upon the formation of the world of Fuji-Asama-mono. Also, the shikata-banashi method of oral and physical expression used in the tales of the pleasure quarters in this piece links to the performing arts since Genroku Kabuki, yet this piece also uses multilayered devices such as yatsushi and kakikae. We can also see this method of multilayered physical expression used in later shosagoto representative of Tenmei Kabuki, including several shosagoto composed by Nisōji.

収録刊行物

  • 近世文藝

    近世文藝 117 (0), 17-29, 2023

    日本近世文学会

詳細情報 詳細情報について

  • CRID
    1390859912501928064
  • DOI
    10.20815/kinseibungei.117.0_17
  • ISSN
    24321508
    03873412
  • 本文言語コード
    ja
  • データソース種別
    • JaLC
  • 抄録ライセンスフラグ
    使用不可

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