『レヴェナント 蘇えりし者』『トゥルー・グリット』をポストコロニアル文化の視点で分析 ―映画と文化データベース―

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  • "The Revenant"(2015) and "True Grit" (1969 & 2010) as "Post-colonial Culture" Films
  • 『 レヴェナント ソ エリ シ シャ 』 『 トゥルー ・ グリット 』 オ ポストコロニアル ブンカ ノ シテン デ ブンセキ : エイガ ト ブンカ データベース

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The Movie and Culture Database (abbreviated as MCDB) classifies movies into 17 main category genres and various sub-category genres, and provides movie reviews and overview information sheets; search functions are in development. Movie titles and categories are currently being published in the MCDB as previously announced in "Introduction to the MCDB: Movie and Culture Database." ATEM Journal. Volume 22 (March, 2017). 229-242.<br> In this present study, we take a close look at MCDB subcategory "Post-colonial Culture" within main category #17 "Cultural Diversity," and analyze and verify the features of two movies in this group: "The Revenant" (2015) and "True Grit" (1969 & 2010). As we examine the three items of (1) Analysis of the movie: "The Revenant," (2) Analysis of the movie: "True Grit," and (3) Subcategory: "Post-colonial Culture," we refer to the concepts of "multiculturalism and post-colonialism" as expounded by Makoto Tsujiuchi and "the location of culture" as expounded by Homi K. Bhabha.

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