The posision of Wang-Ts'an's Ch'i-Ai-Shih

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  • 王粲の「七哀詩」の位置

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The purpose of this thesis is to try to prove how the old songs or poems in the end of the Han Dynasty (漢代) transformed themselves into Ch'i-Ai-Shih by Wang-Ts'an (王粲). In other words it is my purpose to show in which position of Chinese Literature this Ch'i-Ai-Shih ranks. There are not a few old songs or poems the materials of which are common to Ch'i-Ai-Shih. In those songs or poems is written how the people in the end of the Han Dynasty were wandering alone in a strange country and leading miserable lives. The representatives of them are Ku-Erh-Hsing (孤児行) and Fu-Ping-Hsing (婦病行). Considering how these two poems are followed by Chia-Ch'u-Pei-Kuo-Men-Hsing (駕出北郭門行) by Juan-Yu (阮〓) or the works of Ts'ao-Ts'ao (曹操) or Wang-Ts'an, I have shown that Ch'i-Ai-Shih ranks in a high position of poetry. I also have awkwardly referred to the essential problems in what part of the process of this transition hard work is required for the completion or unification of these poems.

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