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Analysis of "note groupings" in piano performance : on the theme from the first movement of the sonata K. 331 by Mozart
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- MATSUMOTO Eri
- Faculty of Music, Kyoto City University of Arts
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- OHGUSHI Kengo
- Faculty of Music, Kyoto City University of Arts
Bibliographic Information
- Other Title
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- ピアノ演奏におけるグルーピングの分析 : Mozart のピアノソナタK. 331第1楽章のテーマを題材として
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Description
Generally, performance of a piece played by different pianists have different group boundaries. In the present study, six music students and one piano professor played the theme from the first movement of the piano sonata K.331 by Mozart on a grand piano equipped with MIDI system. The performances were recorded on a Digital Audio Taperecorder(DAT). Sixteen subjects listened to the DAT reproductions and marked in the score the group boundaries which they judged. On the otherhand, acoustical analysis was made on the IOI (Inter-Onset-Interval), the dynamics and the asynchronies among nominally simultaneous note onset. It was examined how the judged group boundaries are related to each note duration and tone strength. Furthermore, the tone onset asynchronies were discussed in connection with difference in tone strength between different voices.
Journal
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- IPSJ SIG Notes
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IPSJ SIG Notes 15 13-20, 1996-05-25
Information Processing Society of Japan (IPSJ)
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Details 詳細情報について
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- CRID
- 1570572702246031104
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- NII Article ID
- 110002935498
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- NII Book ID
- AN10438388
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- ISSN
- 09196072
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- Text Lang
- ja
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- Data Source
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- CiNii Articles