鎌倉時代の特異な薬師立像と一日造立仏との関わりについて

機関リポジトリ Web Site

書誌事項

タイトル別名
  • カマクラ ジダイ ノ トクイ ナ クスシリツゾウ ト ツイタチ ゾウリュウブツ ト ノ カカワリ ニ ツイテ
  • カマクラ ジダイ ノ トクイナ ヤクシリツゾウ ト イチニチ ゾウリュウブツ トノ カカワリ ニ ツイテ
  • Kamakura jidai no tokuina Yakushi ritsuzo to Ichinichi zoryubutsu tono kakawari ni tsuite
  • A study of the relationship between unique Yakushi images in the Kamakura period and Ichinichi-zōryūbutsu

この論文をさがす

抄録

type:text

Unique life-size Yakushi Nyorai sculptures characterized by wavelike hair, the left elbow bent at a right angle with the forearm thrust forward, as well as abbreviated forms of expression in the hair and the pleats of the robe, may be found around the Kamakura area. However, because these types of Yakushi images are highly unusual, we may assume the existence of other images that served as models for them. In this paper, I will examine the iconography of such images while arguing that their wavelike hair was originally derived from the Shaka Nyorai at Seiryō-ji Temple, and the characteristic left arm, from the Yakushi Nyorai image at the Konponchū-dō at Enryaku-ji Temple. In addition, by comparing these images to records found in Azuma kagami, I will suggest the possibility that they were created as Ichinichi-zōryūbutsu—images made in response to urgent requests and thus characterized by abbreviated forms of expression—and clarify the importance of these unique Yakushi sculptures which were created around Kamakura during the Kamakura period.

特集 : 論集 美学・芸術学 : 美・芸術・感性をめぐる知のスパイラル(旋回)#挿表

収録刊行物

  • 哲學

    哲學 132 221-253, 2014-03

    三田哲學會

詳細情報 詳細情報について

問題の指摘

ページトップへ