立花および盆栽と庭園植栽意匠との関わりに関する史的考察

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書誌事項

タイトル別名
  • A Historical Study on the Relation of the Planting Design to Rikka and Bonsai
  • リッカ オヨビ ボンサイ ト テイエン ショクサイ イショウ ト ノ カカワリ

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抄録

The “rikka” grew out of a simple style called the “tate-bana” and became formalized by arranging seven main flower stems or branches in positions. The rikka was affected by Buddhism, and the aims of the rikka is to express a symbolized nature. The forms of flower stems or branches and their structure have a symbolized sense of Mother Nature, then the arrangement of flower stems or branches should not against the principle of nature. The “suna-no-mono” was one of the rikka style flower arrangements, and it expressed a closerange view in contrast with the rikka expressing a distant view. The suna-no-mono has a similarity to a garden which expresses concrete scenery in this aspect. People did not only admire the beauty of a bonsai, but also enjoyed oneself wandering in the ideal world perceived in a bonsai. The appreciation of bonsai have a resemblance to the appreciation of garden, in which people can enjoy themselves in both aspects of body and soul.

収録刊行物

  • 造園雑誌

    造園雑誌 57 (5), 25-30, 1993

    社団法人 日本造園学会

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