-
- 上嶋 悟史
- 神戸大学大学院日本学術振興会特別研究員
書誌事項
- タイトル別名
-
- Konoe Iehiro's view of art history
- 近衞家凞の美術史観 : 宝永度紫宸殿「賢聖障子」が置かれた史的文脈
- コノエカキ ノ ビジュツ シカン : ホウエイド シシンデン 「 ケンセイショウジ 」 ガ オカレタ シテキ ブンミャク
- The historical context 'Kenjo-no Shoji' in the Hoei era (1704-11) was placed in
- 宝永度紫宸殿「賢聖障子」が置かれた史的文脈
この論文をさがす
説明
<p>In recent years, the number of researches on the constructions of Imperial Palace performed eight times during the Edo Period has increased. They have revealed not only the tendency of the art world of those days but also the real state of Imperial Court and the Tokugawa shogunate, attracting attention in the fiel of art history. However, only a few know that Iehiro, the 21st head of the Konoe family played an important role in making 'Kenjo-no Shoji' decorating Shishin-den Hall at the reconstruction after the fir in 1708. The purpose of this article is to uncover Iehiro's view of art history through rereading "Kaiki" and to find out what historical context Iehiro tried to put 'Kenjo-no Shoji' in.</p>
収録刊行物
-
- 近世京都
-
近世京都 3 (0), 19-38, 2019
近世京都学会
- Tweet
詳細情報 詳細情報について
-
- CRID
- 1390566775164338048
-
- NII論文ID
- 130007896040
-
- NII書誌ID
- AA12698049
-
- ISSN
- 24354945
- 21886709
-
- NDL書誌ID
- 030049576
-
- 本文言語コード
- ja
-
- データソース種別
-
- JaLC
- NDL
- CiNii Articles
-
- 抄録ライセンスフラグ
- 使用不可